What’s your favourite art subject/s? Why? Have you ever stopped to evaluate what you like to draw and paint? Are you a person who loves to work outdoors (plein-air) or do you confine yourself to a studio or a similar workspace?
A series of 4 panorama-shaped coloured pencil drawings of conifers planted in the 1930s at Hyland’s Flat in the central Midlands region of Tasmania.
Each drawing measures 20 x 58 cms.
I have been doing some reflecting lately on the type of work I do, in particular, what I really like doing and what is ‘commercially viable’, while pondering on how to obtain ‘a balance’. The work I really enjoy creating isn’t popular with those who buy art. Lots of people like my work, but few ever want to live with it. I haven’t sold much this year probably because I’ve enjoyed a ‘personal’ journey too much, discovering a bit more about who I am. Art has to be enjoyed by both the creator and the viewer. At least I’ve got one part right!
My Achilles heel is no doubt the medium I work in. Coloured pencil doesn’t enjoy a big wrap in the art world despite huge gains in archival quality in the past 2 decades. I fear it’s also perceived as rather a conservative medium. I wish art curators would be ‘brave’ and promote CP art more in their galleries.
Moving away from Tasmania for a ‘working holiday’ hasn’t been the economic success that I had hoped for art-wise but it has certainly opened my eyes to understanding what art means to me and what subjects interest me.
In just over 12 months my wife Val and I will head back to Tasmania and I’ll re-acquaint myself with my studio. Things won’t be the same (nor should they after nearly 4 years away) when we return and I expect that my art will reflect that.
Having had the opportunity to explore the Australian mainland has introduced me to a variety of landscapes and weather conditions but behind all these experiences I have seen, are the things I always look for; reflected light and shadow, pattern, decay, weathering, transparent surfaces, strong colour, mood and design, all seen in ever-decreasing detail, a ‘cleansed view’ that tries to say a lot with as little information as possible (when applicable). That’s who I am, that’s what interests me.
Despite all that I’ve seen and explored lately, three subjects stand out and continue to give me great motivation and satisfaction: 1. The Flecker Botanical Gardens in Cairns, where I immerse myself in the feast of subject matter that’s available. 2. The Midlands region of Tasmania, because of its (at times) harsh landscape and 3. The tree markings of the Scribbly Gum moth in Port Macquarie and Coffs Harbour. All three subjects are influenced by my ‘abstract’, ‘colour’ and ‘simplification’ interests. Out of the three, my tropical semi-abstract drawings would rate as my best work, but sadly, only one has been sold. I have a substantial collection of examples and hope that one day I’ll exhibit them.
A few days ago one of my tropical drawings was featured on Redbubble. I was very pleased but a little taken back as I’d posted the image about 12 months ago. Still, it’s nice to have one of my favourite drawings acknowledged.
It’s not what you see in your art that is important, but it’s how you see it. Our personality defines our art.