Today’s drawing of a scene at Oatlands, in Tasmania’s Southern Midlands, contains a lot of shadow, contrasted by areas of clean, direct light.

You will notice that the composition can be viewed in horizontal layers.

I enjoy drawing subjects where there is little tonal variation. This is no doubt due to my strong leaning towards hard-edged art.



About artkleko

artist, art curator, art teacher, art judge, art critic
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2 Responses to BLACKLEAD PENCILS Part 8.

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